As far as I can tell Blaing's dates sound right (though I must admit I've never heard of the second series of
Once Upon a Timementioned by Matrix).
When Phillip Mendoza was headhunted by Leonard Matthews in 1951 he was already in his fifties, having enjoyed a long and successful career in various aspects of commercial art. Along with the Stephen Francis (
aka 'Hank Janson') he'd even found time to produce one of the most sought-after of all British comics - the legendary
Mighty Atom.
Like Quinto, Mendoza's earliest assignments for AP appeared in their newly-launched picture libraries - including a number of obligatory Robin Hood shorts. With the creation of the glossy new nursery title
Playhour in 1954, however, he quickly established himself as a superb visualizer of colourful picture stories aimed specifically at very young children. The first of these strips included 'The Seven Dwarfs' and 'Children of the Forest', but it was in the depiction of anthropomorphic animals such as Gulliver Guinea-Pig and Katie Countrymouse that he really excelled.
Like his human namesake, Gulliver Guinea-Pig was an intrepid explorer who travelled to increasingly fantastic destinations such as 'Fairy Tale Land', the World inside the TV Screen and (as below) a version of the Moon that was very different to the one on which Neil Armstrong eventually set foot just eight years later:
(To be continued...)
- Phil Rushton
1 comment:
quote from email
Hi, my name is Marcel I live in Amsterdam, the Netherlands. Surfing the net I came across pictures of one of my favourite illustrators, Philip Mendoza, and his Town mouse stories. I saw your 2008-blog, where you wondered if the full-page drawings ever appeared in an book. May be you al ready know but in Holland there was a book in the 60s or 70s named "de toverlantaarn". In that book there are several Mendoza drawings, of which I am lucky to have one original.
Hopefully this information is helpful to you and may be you could find a copy of the book 😉
Best regards,
Marcel Louis, Amsterdam
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